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- Christina George
The Publicist Book One and Two
The Publicist Book One and Two Read online
Book One
The Publicist
To Grace, for getting me through the dark days.
Prologue
Katharine Mitchell studied the printout in front of her when her phone buzzed.
“Kate, we have an emergency on our hands! Haley is on a roof and threatening to jump.” It took Kate a minute to absorb what the caller was telling her. Haley...suicidal?
“Oh Jesus,” she mumbled. The air seemed to get sucked out of her lungs. Suddenly she couldn’t breathe. Grabbing her purse, she raced out of her office and through the hall. She should have seen this coming. The news hadn’t been good. Haley was fragile. This must have been all it took to push her over the edge.
Outside, Kate waved her arms frantically until a cab came to a screeching stop.
“Fifth and Broadway,” she said, out of breath. Kate’s deep–brown wavy hair tousled in the wind. We’ll never get there in time, she thought staring into a sea of cars. Midday midtown traffic was in full swing. Kate’s purse buzzed. She pulled her iPhone out of its pink leather case. A gift from her ex-boyfriend. She made a mental note to replace it.
She tapped a key. “Yes?”
“Kate, it’s Pete. Where are you? The police called again. She’s screaming your name and crying. They brought in a negotiator, but it seems like it’s only made things worse.”
“Can you speed this thing up?” Kate yelled over the foreign music that blasted from the cabbie’s radio.
He looked over his shoulder and shrugged, “I try.”
“Someone’s going to die if you don’t! If she jumps, it’ll be on your head. You’ll have crappy karma follow you around for the rest of your life.” That was the ticket. The cab driver slipped down a side street, and soon they were speeding toward Haley. Kate hoped they wouldn’t arrive too late.
“Pete, tell the police I’m on my way. If they wanted me there quicker, they should have sent a freakin’ helicopter.” Kate shoved the phone back in its case. Pete bugged the crap out of her. Like he even cared what happened to Haley, she thought as she watched the cabbie make record time through the streets of Manhattan.
Suddenly, the cab came to a grinding halt.
“We’re here,” the taxi driver announced, out of breath, as if he’d been running beside the cab instead of driving it.
“But we’re nowhere near the building!” Kate insisted.
“Look!” The man pointed ahead of him to the police barricades that blocked the streets. “We go no farther, you get out here.”
Kate tossed a twenty-dollar bill over the seat and jumped from the car. She headed straight for the police cars and ran through the crowd, heading past the onlookers and straight into the arms of a New York City police officer.
“Ma’am,” the officer said gripping her arm, “this area is closed off. We have a situation on the roof. You’ll have to go around.”
“I know you have a situation! Someone called me to tell me the girl who’s threatening to jump asked for me; I’m Katharine Mitchell.”
“Just a minute.” The officer clicked on his radio, calling to someone named Jim on the roof. Kate had a hard time hearing what was being said over the street noise, but a minute later the officer was pulling her through the crowd and escorting her up to the roof. Then she saw Haley. She looked frail and alone, perched dangerously close to the edge of the roof.
“Talk to her,” Jim urged her on.
“Haley, Dear. It’s me, Kate. They say you’ve been asking for me.”
A pair of sleek new Prada pumps turned, and Kate could see Haley had been crying.
“I can’t believe this happened!” she wailed.
“I know, Haley, but we’ll get past it. I promise.” Kate noticed that even in her darkest hour, Haley was still impeccably dressed. Her sleek Chanel suit wasn’t even creased. If Haley did jump, she wanted to look her best.
How does one decide what to wear to a suicide? Kate pondered.
“I’ll never get past this—I’m ruined! Oprah canceled on me! No one will ever speak to me again!”
“Haley, listen. It happens. It’s not your fault; certainly your friends will understand that.”
“You don’t know my friends,” Haley sniffled. “I’ll be the laughing stock. One minute I have a book that Oprah’s selected for her new show, and the next I’m cast aside, discarded by some lowlife producer and replaced by some bleeding-heart novelist.”
Kate rolled her eyes. Jesus, this girl. If she wasn’t so close to the edge of the roof, Kate would rush over and give her a good wallop. Oprah was off the air, but her name still sounded like magic to many authors. Despite the failing ratings of her network, she forged on. Haley was supposed to be part of a new show the network was rolling out. The trade heralded it as Oprah’s comeback.
“Haley, the guy Oprah picked rescued like a hundred orphans from potential genocide in Africa.”
“So?” Haley snorted indignantly, “I wrote a good book too. A great book—probably better than his.”
Yes, she had written a good book—a very good book. Despite her obvious shallow side, Haley could most definitely write. But her sugary-sweet chick-lit novel was no match for bravery in South Africa.
“Haley, listen. There will be other shows. We can keep pitching the book. It’ll be okay.”
“No it won’t!” she screamed. “She’ll never reschedule, will she?”
“Doubtful, Haley. I’m sorry.”
“But I bought Armani!”
Kate was silent for a moment, a line of officers standing behind her. She wasn’t sure what Haley was talking about.
“Haley,” she began, “what do you mean?”
“I bought Armani for the show. An outfit, you know. Clothes?” Her sarcasm was dripping, and it was all Kate could do not to slip her foot in front of one of Haley’s expensive shoes and topple her off the roof. Kate thought for a moment about leaving Haley on the ledge and walking over to the nearest bar to watch the rest on TV while she sipped a Cosmo. But she didn’t. She stayed. She couldn’t, after all, let Haley jump.
“Haley, listen. I have a plan—one that will get you right back on top. There’s a movie premier here next week I think I can get you invited to. We’ll get you photographed with George Clooney. You’ll be on Page Six and probably on Entertainment Tonight. I can shoot for Piers Morgan. We can talk about your glamorous life, your exhilarating writing career; it’ll be great.”
Haley turned to face her now, taking a step away from the ledge. “A movie premier, really? And Piers, too? I like him. Can we do The View, too?”
Kate bit her bottom lip. She knew better than to make promises, but she needed to get Haley away from the ledge.
“Yes, of course we can. Won’t that be fun! All those women fawning all over you, chatting up your book?”
Haley’s eyes got a far-off look and Kate knew she was already picturing herself on the show, being adored by Baba Walters. Suddenly, Kate wanted to hurl.
“Come on, Haley, let’s go back to my office so we can plan this.”
Haley hesitated for a moment and then gradually started moving toward Kate. Instantly, the police surrounded her, guiding her to safety.
“Thank you, Kate.” Haley smiled. She was in her element, surrounded by a bunch of men in uniform. “I’m tired from all of this. I’m going to head home. Will you let me know what you’ve booked for me? You can call me later.”
And with that, she was gone, being hustled away. Kate stood on the roof for a moment, contemplating a jump herself. God, that girl is a piece of work, she thought.
“Miss?” A tall, handsome police officer leaned into her. “You were great. You really knew what to say to calm her down.”
>
“Thank you,” Kate said in almost a whisper.
“May I ask who you are? Her friend? Sister? Lover?”
“None of the above.” Kate’s mouth turned into a slight smile, “I’m the publicist.”
Chapter One
“So, I hear Haley’s a jumper.” Pete’s lips curved into a sarcastic smile.
“In case you didn’t hear, she did not jump.”
“Kate, it was all over the news. You’re a hero.”
Fuck you, Pete, Kate thought as she walked into her office and slammed the door. Unfortunately, Pete was right. It was all over the news. “The publicist who saved the crazy, suicidal author”—that’s how Entertainment Tonight had headlined the story the night before. Both Leno and Letterman had devoted most of their monologues to it, and Haley had even made the high-brow NPR.
Kate slumped in her chair, not sure what to do next. In her ten years of being a book publicist she’d saved a number of books from ruin, but Haley’s might just be too far-gone. Sure, they’d sell a few thousand to people wanting to read a book written by the “crazy, suicidal author.” But after that it would be over, and unless she did something fast, Haley would be nothing more than a cocktail party joke: “Hey, did you hear the one about the author who jumped off a building?”
Kate’s phone buzzed but she didn’t answer; she knew without checking the caller ID that it was Haley’s agent calling to see what her brilliant plan was.
“Brilliant,” Kate said to a still ringing phone.
“I have no idea how I can rescue this one.” Kate spun around and faced her floor-to-ceiling window. A view that overlooked Central Park was one she normally enjoyed, but today it was nothing more than a bunch of green and people buzzing about. Kate was certain if she didn’t get Haley a gig on a reputable show, Haley’s career as a writer would be over. By reputation, Kate knew that The View was off the list—they’d pull Haley limb from limb. However, Katie Couric’s new talk show might be a possibility. Although the ratings were still underwhelming, Katie was climbing in popularity.
Suddenly, Kate reached for her phone and punched in a number.
“Tom,” a stern voice answered.
Kate took a deep breath. “Tom, Kate here. How are you?” she tried on her best Mary Poppins cheer. Tom wasn’t falling for it.
“Kate, if you’re calling to see if I’ll put your jumper on Piers Morgan, you can call someone else. Piers isn’t interested.”
“She’s not a jumper, Tom, and it’s a good story. I mean, think about it: Piers could focus on the pressure of the business—the dark side of publishing. We could have James Frey on there. I’m sure after Oprah went off on him, he could say a thing or two about this topic. He would probably tell Haley on live TV to stay as far away from Ms. O. as she can. Wouldn’t that make for great TV?”
Kate could almost hear the wheels in Tom’s head turning. She knew she’d hit a chord. Tom had been with the show for five years, which was considered long for any producer. Media folk tended to job jump faster than most of us change our underwear.
“Tom,” Kate began tentatively, “what do you think?”
“Actually, Katie, it’s not a bad idea.”
Her heart almost jumped out onto her desk. If she could persuade Tom to put Haley on, she might be able to salvage the entire project.
“Kate, listen. I need to run this by a few folks, and I suspect it would be contingent on getting Frey on the show and getting him to talk about this. He’s not very fond of this topic, as you can imagine.”
“Tom, why not leave that to me? I’m good friends with Frey’s publicist and editor; I might be able to persuade them.”
“Good. He’s got another book coming out, so the timing could work. Listen Katie, if I do this for you, you owe me—and you owe me big.”
“Tom, you’ll get my first born.”
She could hear Tom smile through the phone. “It’s not your first born I’m after.”
Chapter Two
Kate pulled her jacket tighter around her as she raced up Twentieth Street to meet Grace. She was already ten minutes late, and she knew her ever-punctual friend wouldn’t be too happy or too surprised when Kate walked in well past their usual meeting time.
The wind blew through the buildings, gusting up the street. It was starting to get chilly, even in late-September. Kate loved autumn in New York; it was her favorite time of year. Nothing in the world compared to a crisp fall morning, racing through the streets of Manhattan, a steaming latte in one hand and The New York Times in the other.
Like most New Yorkers, she raced across a busy street, dodging a cab, not bothering to wait for the light to turn green. She could see Mulligan’s was busy, even for a Wednesday. Mulligan’s was their usual meeting place once a week when Kate wasn’t traveling. They would catch up, swap stories, and hang out. Grace was an artist, and a very talented one. She had a showing scheduled in November for her paintings, which she was both excited and nervous about. Kate had promised to help her publicize her first art exhibit. It had taken her years to get to this moment, and Kate was thrilled to help. They had been friends for over ten years, ever since meeting at NYU and sharing a dorm room. Grace was delightfully different, as Kate would often tell her own disapproving mother. Few people understood Grace the way Kate did. She didn’t subscribe to society trends, didn’t watch the news or read the paper. She read Russian novels, worked on her art, and taught yoga to help pay the rent. She was, without a doubt, Kate’s most eclectic friend, but also her closest and most honest. Kate knew she could always get the truth from Grace, regardless of whether she wanted to hear it or not.
She pushed the door open and spotted Grace almost immediately. Her friend had taken two seats by the bar and waved when she saw Kate enter the pub.
“You’re late,” Grace smiled, giving her a gentle peck on the cheek.
“Sorry. Haley is still a nine-one-one, but I think I have it resolved. Or, at least, it would seem that way.”
“I watched her on Piers the other night.” Grace smiled, “She was good. I came to Mulligan’s to watch it, and I forced the bartender to turn off the boxing match long enough to see her segment. He wasn’t happy.” She winked.
“Gracie, when are you going to get a TV?” Kate signaled the bartender to duplicate her friend’s order.
Grace pushed a shiny black curl off of her shoulder, sipped her wine, and said, “Never. TV is the work of the establishment to keep us all in line. Besides, I’d never get any painting or reading done if I watched TV all day. I’m in the middle of another Nikolai Gogol book. What an amazing writer. I’ll have to loan it to you when I’m done. I think you should suggest to that publisher of yours that he produce more Russian novels; I think it could save the business.”
Kate chuckled. Grace knew better than to try and send one of her “favorites” Kate’s way.
“Anyway, I’m glad you got Haley back on track—”
Grace’s sentence was cut off by the ringing of Kate’s phone. Kate pulled it out of her bag, recognizing the number immediately.
“It’s Mac, isn’t it?” Grace arched a sculpted eyebrow.
“Yes,” Kate smiled sheepishly.
“So, he’s still pursuing you?” Grace sipped her wine, already knowing the answer.
“He’s not pursuing me, Gracie. He’s just, well, Mac.”
“Katie, please don’t forget that he’s married.”
The word “married” hung between them, heavy and obtrusive. Yes, in fact, MacDermott Ellis was as married as they come. Met his wife during high school and had been with her for over thirty years. Two sons in college, a house in Connecticut, and a cottage in the Hamptons. You don’t get more married than that. But, this was publishing and the rules seemed to be different—at least they did for Mac. Kate had heard stories of women he’d been with, but she dismissed them as rumors. So, when Mac called her after business hours, she treated it as nothing more than a call from a co-worker. Mac had been a tremendous help t
o her career and was a good friend to Kate. But Grace knew different. She knew her friend was being pursued, even if Kate was too preoccupied in her own job to notice it. Grace insisted that at some point, sooner than later, Kate would find herself in a compromising position with this painfully handsome, lethally charming, and highly unavailable man. But Kate insisted otherwise. Grace hoped her friend was right.
Chapter Three
The road to Katharine Mitchell’s illustrious career in publicity hadn’t always been as glamorous as some would think. Most people think that being a publicist would mean a series of exciting parties, rubbing elbows with celebrities, and trips to exotic places to promote whatever book they were working on. Nothing could be further from the truth. Generally, Kate spent lunches at her desk and evenings thumb-dancing on her iPhone, responding to whatever media queries came in after hours. She lived and died by whatever news hook she could use to promote her authors, and unlike most people, she hated Fridays. Because, on Fridays, the sales reports would be shared with the publicity department. Sales numbers were always tricky. A feature on a major show didn’t always translate into book sales. In fact, book sales were almost an act of God these days. Regardless, a book with flagging sales was something no publicist wanted to see.
Kate landed her first official job as a publicist after struggling on her own as a freelancer for a number of years. She was accepted into Morris & Dean Publishing, one of the most esteemed publishing companies in the industry, and was brought in to assist their publicity department. Soon after she was hired and through a series of circumstances and staffers leaving, Kate was promoted to department lead. There were five people in total who worked in the department, which was unheard of in publishing. While most of its competitors were cutting their marketing and publicity departments in half, Morris & Dean was expanding. They believed that a good book was like a tree falling in the forest: Unless someone issued a press release, who was going to know? Kate liked that about Morris & Dean, or MD as they were referred to within the industry. She gave herself five years to build her reputation. That was seven years ago. Now she was so deep into corporate publishing, she wasn’t sure she’d ever get out. Things, however, were changing in publishing. Sexier books, racier authors, smaller advances, and less fanfare per campaign spelled trouble for MD. Despite their original intent to lead books with grand publicity campaigns, the publisher was starting to bow to the pressures of a fickle society and topics that ten years ago seemed impossible to imagine. Books told entirely in tweets, and sex between a man and the hot new alien down the street seemed to be the norm.